“Write in recollection and amazement for yourself.” – Kerouac


The Art of Not Knowing a Damn Thing

One soccer ball on fall field

On falling leaves, unfinished dreams, and the strange business of becoming.

There is something particularly grueling about watching your child’s future unfold in slow motion, especially when that future involves a soccer ball, a thousand possibilities, and absolutely no guarantees. College? Academy? Europe? Some unexpected road we haven’t even thought to put on the map? We’ve got a year and a half left before the great unknown comes knocking, and I’m standing somewhere between wild curiosity and the kind of nervous anticipation that makes you want to grab the universe by its collar and demand a few answers. But the universe, as I’ve learned, doesn’t give a fuck about our timelines.

Eighteen months is a lifetime in youth soccer. Opportunities appear and vanish, coaches change their minds, and the entire trajectory of a young man’s life can hinge on a conversation he wasn’t even in the room for. We have an agent now, which sounds terribly official and exciting, except he makes me nervous. There’s something unsettling about handing pieces of your child’s future to people whose intentions you can’t quite read. Dreams grow legs and run straight toward the horizon, or quietly die on a Tuesday afternoon without so much as a proper goodbye. I’m a realist. Talent doesn’t guarantee opportunity, and hard work doesn’t always get rewarded with a beautiful ending. Still, there’s something intoxicating about possibility. I want to see where he goes, who he becomes, and what happens when all those years of practices, tournaments, muddy cleats, early mornings, and long drives finally collide with the real world. Perhaps the hardest part of motherhood is realizing that eventually, you become a spectator in a story you once helped write.

And he really is great. I know every mother says that about her kid, but realllllllllllllly. I’ve watched this boy move across a soccer field with a kind of instinct that can’t be taught, seeing things before they happen, finding space where there shouldn’t be any, making something difficult look almost effortless. Of course I’m biased. I gave birth to the kid. But I’m also capable of recognizing when something extraordinary is standing right in front of me. What I can’t do is guarantee that the rest of the world will recognize it, too. You can believe in someone with every fiber of your being and still have absolutely no control over what happens next.

I’ve been thinking about that lately. The strange business of letting go. Of watching things change whether you’re ready or not. Maybe it’s the season, or maybe it’s just the particular stage of life I’ve wandered into, but everything around me seems to be shedding some version of itself. Even the trees. Especially the trees.

North Carolina has begun its annual transformation, and the trees are putting on one hell of a show. Gold, rust, crimson, and every magnificent shade of dying imaginable. I still find myself staring at the spectacle like some wide-eyed tourist who accidentally wandered into a painting. There’s something almost theatrical about it, the way the whole landscape changes its clothes before winter. The colors are so outrageous they almost seem artificial, as if someone got carried away with a paintbrush and decided subtlety was for cowards. Of course, all that beauty eventually lands in my yard, where it becomes considerably less poetic and requires a heavy-duty leaf blower.

I’ve been spending a lot of time outside lately, surrounded by all this magnificent decay, thinking about the peculiar way we present our lives to the world. The pretty parts get photographed. The difficult parts get edited out. We write about changing leaves and beautiful possibilities while quietly stepping around the things we’d rather not explain. Which brings me to something I’ve been thinking about for a while: I really should be more honest in these blogs.

I mean really honest.

The kind of honesty that makes people uncomfortable. The kind that causes relatives to clutch their pearls and acquaintances to reconsider what they thought they knew about you. It’s not like my family reads this shit anyway. And maybe that’s part of the appeal. There’s a strange freedom in throwing your thoughts into the great digital wilderness, knowing that somewhere out there a stranger might understand you better than someone who’s known you for twenty years. I have demons. More than a few, actually. Some are old acquaintances, others show up uninvited, and a couple all always here.Being completely honest is both terrifying and cathartic, and I sometimes wonder how much of ourselves we spend our lives concealing simply to keep everyone else comfortable.

Maybe that’s the real work of getting older. Not reinventing yourself or chasing some grand transformation, but becoming increasingly unwilling to perform a version of yourself that makes everyone else feel at ease. There’s a certain exhaustion that comes with pretending to have everything figured out, especially when half the time you’re making it up as you go along. I’ve reached an age where I can admit that I don’t know what the hell I’m doing in certain corners of my life, and oddly enough, that admission feels more like freedom than failure.

Meanwhile, ordinary life continues with its peculiar little demands. The yard needs attention, the house needs a remodel, and my once-grand ambitions of becoming a self-sufficient farm woman have been scaled back considerably. Turns out I’m a city gal with a suspiciously romantic imagination. I still love the idea of a few chickens and a beautiful garden, but managing an acre has taught me that nature is a full-time employee who never clocks out. Some dreams are better enjoyed in smaller doses, preferably from a comfortable chair with a glass of something cold.

And perhaps that’s the funny thing about growing older. You spend your younger years collecting ambitions like souvenirs, convinced that every interesting possibility deserves to become a permanent part of your life. Then somewhere along the way you begin to recognize that you don’t have to pursue every version of yourself you’ve ever imagined. You can admire a life without needing to live it. You can change your mind without declaring the whole endeavor a failure. And you can find a surprising amount of satisfaction in the life that’s already happening while you’re busy contemplating the next one.

My son has his own road opening before him, and as badly as I’d like to peek around the corner, that story belongs to him. I can offer advice, encouragement, and an impressive amount of unsolicited maternal commentary, but I can’t live it for him. And perhaps that’s where all these scattered thoughts finally meet: in the uncomfortable space between holding on and letting go. The trees seem to have mastered this art. They don’t appear particularly concerned about losing their leaves. They simply let them go, stand naked for a few months, and get on with the business of living. There’s probably a lesson in there somewhere.

Still, I understand the sentiment. The leaves fall. The kids grow. The plans change. And beneath all the beautiful scenery and carefully constructed versions of ourselves, we’re just people trying to make sense of the lives we’ve stumbled into. Some days I feel like I have a pretty good handle on things. Other days, I suffer.

And maybe the most interesting parts of my story aren’t the ones I’ve already told. Maybe they’re the ones I’ve been too afraid to write.

After all, the trees have no problem standing naked in front of the entire world.

I’m still working up the nerve.

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